਍㰀猀琀礀氀攀 琀礀瀀攀㴀∀琀攀砀琀⼀挀猀猀∀㸀ഀഀ .BODY { background-color: #EAF1F7; background-image: url('images/gtbh.jpg'); background-repeat: no-repeat; background-attachment: fixed; background-position: center; color: #0066CC;} ਍⸀䌀㄀笀琀攀砀琀ⴀ愀氀椀最渀㨀 樀甀猀琀椀昀礀㬀挀漀氀漀爀㨀 ⌀  㘀㘀䌀䌀㬀䘀伀一吀ⴀ猀椀稀攀㨀 匀䴀䄀䰀䰀㬀䘀伀一吀ⴀ昀愀洀椀氀礀㨀 吀愀栀漀洀愀㬀紀ഀഀ .BIB{text-align: center;color: #000099;FONT-size: SMALL;FONT-family: Tahoma;} ਍⸀䌀伀一吀笀琀攀砀琀ⴀ愀氀椀最渀㨀 爀椀最栀琀㬀挀漀氀漀爀㨀 ⌀䘀䘀    㬀䘀伀一吀ⴀ猀椀稀攀㨀 匀䴀䄀䰀䰀㬀䘀伀一吀ⴀ昀愀洀椀氀礀㨀 吀愀栀漀洀愀㬀紀ഀഀ ਍㰀䴀䔀吀䄀 栀琀琀瀀ⴀ攀焀甀椀瘀㴀∀挀漀渀琀攀渀琀ⴀ琀礀瀀攀∀ 挀漀渀琀攀渀琀㴀∀琀攀砀琀⼀栀琀洀氀㬀 挀栀愀爀猀攀琀㴀唀吀䘀ⴀ㠀∀㸀㰀⼀䠀䔀䄀䐀㸀ഀഀ ਍㰀䘀伀一吀 䄀䰀䤀䜀一㴀∀䨀唀匀吀䤀䘀夀∀ 䘀䄀䌀䔀㴀∀吀愀栀漀洀愀∀㸀ഀഀ

ĀĪ PANTH, one of the twelve sects of yogīs, whose adherents worship Āī Bhavānī, a tribal female deity, believed to be an extension of Śakti. Śiva in the form of ardhanārīśvara is said to have two forms represented by his own halves. His right side is the male whose followers are called dakṣināchārīs, whereas his left portion represents the female known as Śakti, the basic power also called Ambā, Durgā, Kālī or Bhavānī. Worshippers of the female aspect of Śiva are called vāmamārgīs, known for their peculiar beliefs and customs. They accept no taboos in the matter of food and accord religious sanction to sexual freedom. They practise austerities; for a living they would go begging from house to house. Their living style (jugat) consists in smearing their bodies with ashes (bibhūt), wearing heavy rings (mundā or mundrā) in their split ears and covering their bodies with a loose shroud (khinthā). When they go out begging, they carry a begging bowl in one hand and a club (ḍaṇḍā) or fire-tongs in the other.

਍㰀瀀 挀氀愀猀猀㴀∀䌀㄀∀㸀☀渀戀猀瀀㬀☀渀戀猀瀀㬀☀渀戀猀瀀㬀☀渀戀猀瀀㬀☀渀戀猀瀀㬀☀渀戀猀瀀㬀☀渀戀猀瀀㬀☀渀戀猀瀀㬀䤀渀 挀漀甀爀猀攀 漀昀 琀椀洀攀Ⰰ 洀愀渀礀 猀攀挀琀猀 戀愀猀攀搀 漀渀 琀栀椀猀 㰀椀㸀☀⌀㌀㐀㜀愀欀琀椀㰀⼀椀㸀 瀀爀椀渀挀椀瀀氀攀 愀瀀瀀攀愀爀攀搀 琀栀爀漀甀最栀漀甀琀 琀栀攀 氀攀渀最琀栀 愀渀搀 戀爀攀愀搀琀栀 漀昀 琀栀攀 䤀渀搀椀愀渀 猀甀戀挀漀渀琀椀渀攀渀琀⸀ ☀⌀㈀㔀㘀☀⌀㈀㤀㤀 倀愀渀琀栀 椀猀 漀渀攀 漀昀 琀栀攀洀 愀渀搀 琀栀攀 䴀愀栀愀爀 琀爀椀戀愀氀猀 漀渀挀攀 昀漀甀渀搀 愀氀洀漀猀琀 攀砀挀氀甀猀椀瘀攀氀礀 愀氀漀渀最 琀栀攀 刀椀瘀攀爀 匀甀琀氀攀樀Ⰰ 漀瀀瀀漀猀椀琀攀 䘀☀⌀㈀㔀㜀稀椀氀欀☀⌀㈀㔀㜀Ⰰ 攀猀瀀攀挀椀愀氀氀礀 椀渀 琀栀攀 䴀漀渀琀最漀洀攀爀礀Ⰰ 䴀甀氀琀☀⌀㈀㔀㜀渀 愀渀搀 䈀愀栀☀⌀㈀㔀㜀眀愀氀瀀甀爀 愀爀攀愀Ⰰ 眀漀爀猀栀椀瀀瀀攀搀 琀栀椀猀 昀攀洀愀氀攀 猀瀀椀爀椀琀 愀渀搀 欀攀瀀琀 栀攀爀 椀洀愀最攀 椀渀 琀栀攀椀爀 栀漀洀攀猀⸀ 䜀甀爀☀⌀㌀㘀㌀ 一☀⌀㈀㔀㜀渀愀欀 搀甀爀椀渀最 栀椀猀 瀀爀攀愀挀栀椀渀最 樀漀甀爀渀攀礀猀 挀愀洀攀 愀挀爀漀猀猀 猀攀瘀攀爀愀氀 瘀愀爀椀攀琀椀攀猀 漀昀 㰀椀㸀礀漀最☀⌀㈀㤀㤀猀㰀⼀椀㸀 愀琀 瀀氀愀挀攀猀 氀椀欀攀 䜀漀爀愀欀栀 䠀愀☀⌀㜀㜀㠀㤀愀☀⌀㜀㜀㜀㄀☀⌀㈀㤀㤀Ⰰ 䄀挀栀愀氀 嘀愀☀⌀㜀㜀㠀㤀☀⌀㈀㔀㜀氀☀⌀㈀㔀㜀Ⰰ 匀甀洀攀爀 䴀漀甀渀琀愀椀渀 愀渀搀 䜀漀爀愀欀栀洀愀琀☀⌀㈀㔀㜀Ⰰ 渀漀眀 欀渀漀眀渀 愀猀 一☀⌀㈀㔀㜀渀愀欀 䴀愀琀☀⌀㈀㔀㜀⸀ 吀栀攀爀攀 愀爀攀 攀砀琀攀渀猀椀瘀攀 爀攀昀攀爀攀渀挀攀猀 椀渀 琀栀攀 䜀甀爀☀⌀㌀㘀㌀ 䜀爀愀渀琀栀 匀☀⌀㈀㔀㜀栀椀戀 眀栀椀挀栀 琀攀猀琀椀昀礀 琀漀 琀栀攀猀攀 洀攀攀琀椀渀最猀⸀ 䤀渀 琀栀攀 㰀椀㸀䨀愀瀀甀㰀⼀椀㸀 ⠀猀琀愀渀稀愀 ㈀㠀⤀ 䜀甀爀☀⌀㌀㘀㌀ 一☀⌀㈀㔀㜀渀愀欀 攀砀栀漀爀琀猀 愀渀 愀渀漀渀礀洀漀甀猀 㰀椀㸀礀漀最☀⌀㈀㤀㤀㰀⼀椀㸀 戀攀氀漀渀最椀渀最 琀漀 琀栀攀 ☀⌀㈀㔀㘀☀⌀㈀㤀㤀 倀愀渀琀栀 琀漀 挀甀氀琀椀瘀愀琀攀 挀漀渀琀爀漀氀 漀瘀攀爀 琀栀攀 洀椀渀搀 眀栀椀挀栀 眀愀猀 洀漀爀攀 椀洀瀀漀爀琀愀渀琀 琀栀愀渀 愀氀氀 戀漀搀椀氀礀 攀砀攀爀挀椀猀攀猀 愀渀搀 搀椀猀挀椀瀀氀椀渀攀⸀ 匀愀礀猀 䜀甀爀☀⌀㌀㘀㌀ 一☀⌀㈀㔀㜀渀愀欀㨀 ∀䴀愀欀攀 挀漀渀琀攀渀琀洀攀渀琀 琀栀礀 攀愀爀爀椀渀最猀Ⰰ 洀漀搀攀猀琀礀 琀栀礀 戀攀最最椀渀最 戀漀眀氀 愀渀搀 眀愀氀氀攀琀 愀渀搀 琀栀攀 䰀漀爀搀✀猀 洀攀搀椀琀愀琀椀漀渀 琀栀礀 愀猀栀攀猀⸀ 䰀攀琀 琀栀攀 琀栀漀甀最栀琀 漀昀 搀攀愀琀栀 戀攀 琀栀礀 瀀愀琀挀栀攀搀 挀漀愀琀Ⰰ 挀栀愀猀琀椀琀礀 氀椀欀攀 琀栀愀琀 漀昀 愀 瘀椀爀最椀渀✀猀 戀漀搀礀 琀栀礀 氀椀昀攀✀猀 搀攀瀀漀爀琀洀攀渀琀Ⰰ 愀渀搀 昀愀椀琀栀 椀渀 䜀漀搀 琀栀礀 猀琀愀昀昀⸀ 吀栀攀 爀攀愀氀椀稀愀琀椀漀渀 漀昀 戀爀漀琀栀攀爀栀漀漀搀 眀椀琀栀 愀氀氀 椀猀 琀栀攀 爀攀愀氀 挀爀攀攀搀 漀昀 琀栀攀 ☀⌀㈀㔀㘀☀⌀㈀㤀㤀 倀愀渀琀栀⸀ ∀伀 夀漀最☀⌀㈀㤀㤀Ⰰ 搀攀攀洀 琀栀攀 挀漀渀焀甀攀爀椀渀最 漀昀 琀栀攀 猀攀氀昀 愀猀 琀栀攀 挀漀渀焀甀攀猀琀 漀昀 琀栀攀 眀漀爀氀搀∀ ⠀䜀䜀Ⰰ 㘀⤀⸀㰀⼀瀀㸀ഀഀ ਍㰀瀀 挀氀愀猀猀㴀∀䈀䤀䈀∀㸀ഀഀ BIBLIOGRAPHY

  1. Bhattacharyya. N. N. , Indian Mother Goddess. Calcutta, 1971
    ਍㰀氀椀 挀氀愀猀猀㴀∀䌀㄀∀㸀㰀椀㸀䠀椀猀琀漀爀礀 漀昀 琀栀攀 吀愀渀琀爀椀挀 刀攀氀椀最椀漀渀㰀⼀椀㸀⸀ 䐀攀氀栀椀Ⰰ ㄀㤀㠀㈀㰀䈀刀㸀ഀഀ
  2. Chakravarti, Chintaharan, Tantras : Studies on Their Religion and Literature. Calcutta, 1972
    ਍㰀氀椀 挀氀愀猀猀㴀∀䌀㄀∀㸀 刀漀猀攀Ⰰ 䠀⸀ 䄀⸀ Ⰰ 㰀椀㸀䄀 䜀氀漀猀猀愀爀礀 漀昀 琀栀攀 吀爀椀戀攀猀 愀渀搀 䌀愀猀琀攀猀 漀昀 琀栀攀 倀甀渀樀愀戀 愀渀搀 一漀爀琀栀ⴀ圀攀猀琀 䘀爀漀渀琀椀攀爀   倀爀漀瘀椀渀挀攀㰀⼀椀㸀 嬀刀攀瀀爀椀渀琀崀⸀ 倀愀琀椀愀氀愀Ⰰ ㄀㤀㜀 㰀䈀刀㸀ഀഀ

Jodh Siṅgh


਍㰀⼀昀漀渀琀㸀ഀഀ ਍㰀⼀䠀吀䴀䰀㸀㰀⼀䈀伀䐀夀㸀ഀഀ